Wednesday, November 03, 2010

RAW and learning on the job

Warren Ellis made a point yesterday about webcomics and the need to produce the work, if only to get the idea out of your head.  Here an excerpt:

"Look at the webcomics week thread on Whitechapel. Some of that stuff is raw as all hell, and some of the websites they sit on are frankly horrifying. But they’re doing it for the idea. So long as the idea gets out of their head and into the world, they’re winning. Not everything has to be smooth and shiny and run through user-experience wisdom. Sometimes, it just has to be done. "

He touches on something which I've be struggling with for years.  The fear of being wrong.  Of looking stupid.  It's stopped me from making hard but necessary decisions that could and would have gotten me where I am now in my mid 20's in stead of my early 30's but hey,  experience isn't waste if you don't give up right.

I've recently been forced to accept a painful and liberating fact.  That my life is the way it is because i refused to be an active participant in my own life.  Now that may seem damning, but actually its not.  The flip side is that I have the ability to do anything I want.
Hitting my word count for NaNoWriMo every day and the first draft of my novel have proved to me for the first time what happens when I shut the fuck up, sit my arse down and do the bloody work.
 
It's made me realise that you can't afford to be frightened, or scared.  That's death.  You remain stationary.  You create a void.  You do that often enough and nature/the universe/life will fill that void. Normally with something you don't like.

With comics and writing, you have to learn in public. You have to learn on the job.  You have to expose your work to people.  You can't sit your hobbit hole and beaver away until stupid o'clock the morning forever until you feel your ready, because how will you know your ready until you expose your work to people?

Warren's right. But his statement extends to writing as well.  So long as the idea get out of your head and into the world, you're winning.  Not everything has to be smooth and shiny and run through user-experience wisdom. Sometimes, it just has to be done.

Learn Work. Show. Learn. Work. Show. Learn. Rinse and repeat.

Back to work.

Sunday, January 18, 2009

The difficulty of being original

This thing that I've working on. The project that's been floating round in the head in one shape or form since the mid nineties.

For the longest of times in was called Zaibatsu. But that really didn't click for me. Then it was Gods and Monsters. But there is a film with the same name. Recently I decided to call it The Shadow Of The Beast Chronicles. But after a looooong conversation last night with an wise artist friend of mine I decided it not worth my time incurring the wrath of Psygnosis/Reflections/Sonys legal department who could quite happily afford to buy my dead body 10 times whiles i'm still alive! So, I've actually had to sit back and think of something that speaks about the tale I'll be spinning. About the themes I'll playing with. It's almost as hard as writing the bloody story! It's so easy to lapse into cliché and avoid the pain of being original. Still. Originality has something going for it. A sense of danger and empowerment.

The search and the work, as always continues.

Edited to include: Sometimes its best to go with name of your protagonist. Which was the name I dismissed very early on as being "not iconic enough". Dumb.

Friday, January 02, 2009

End of year review: 2008 was the year that....

2008 was the year that I finally got over my hang ups and committed myself mind, body and soul to creating that which has given so much joy and inspiration throughout my life: a comic. Though it was ropey and badly drawing in places, it was a firm start.

A thing that existed in my head now existed on paper. A physical thing that other people could see and hold in their hands and criticise. This was the single most empowering thing that I've ever done in my life.

Much more next year.


2008 was the year that I could actually see improvement in my work. I could see who far I had come from that day waaaaaay back in summer 2002 at Warren Ellis signing at Forbidden Planet when I decided to start drawing again. It been a long long road., there are still miles to go.

2008 was the year that I accepted that it okay to draw completely differently to everyone else. That you don't have to conform to a certain art style. That as long as you have a firm understanding of the foundations, your work can be as unique and iconoclastic as you wish.

2008 was the year the Ashley Wood, Sean Phillips, Jae Lee, D'israeli, Alison Bechdel and Nihei Tsutomu had their hands firmly in my pocket. I think I've got more manga by Nihei Tsutomu than anyone else in the UK!!

2008 was the year I discovered Milton Caniff, Sergio Toppi amongst many, many others.

2008 was the year that I read my first Stephen King book and cursed myself for not have read any of his work before.

2008 was the year I realised that good art takes time. That something the process of discarding a finished drawing that doesn't work, although it looks nice and you like it get you closer to something that does work.

2008 was the year that I took my writing as seriously as my art.

2008 was the year I finally came out of the closet as a trekkie:)

2008 was the year that I was more strapped for cash than any other year previously: I REALLY, REALLY didn't like that.

2008 was the year that I saw the would change and history happen before my very eyes.

2008 was the year that I stopped attending comic conventions. No more conventions until I've got shit to show.

And that's that.

Good luck to us all in 2009. We're all going to need it.

Wednesday, December 19, 2007

Hello. I'm J.E. Cole and this my art blog, Stay tuned. The goods are coming.

Bless.